This weekend sees the international launch of this year’s Big Draw, an initiative to encourage people of all ages to draw. It’s happening across Oxford on Saturday 19 September, and we are getting involved with a rather unusual take on drawing…
For our X-Ray Line event we are interested not in the things that are easily seen and drawn, but in things which are normally invisible. Atomic structures, subatomic particles, crystal lattices and chains of molecules: these are structures revealed only through special processes, but which provide great inspiration for the creation of drawings and sculpture.
The idea of making the invisible visible comes from our current special exhibition, Dear Harry, which looks at the life and death, in World War One, of Henry Moseley, a physicist whose work on the X-ray spectra of elements in the early 20th century helped to determine atomic number and bring new rigour to the periodic table of elements.
Ushering in Moseley’s work was the discovery of X-rays by Wilhelm Röntgen in 1895, which led to a whole new field of experimental techniques including X-ray spectroscopy and X-ray crystallography. This opened up an invisible world of atomic and molecular structure.
The forms, structures and patterns revealed by these techniques have inspired artists and designers to create a variety of works, notably by the Festival Pattern Group for the 1951 Festival of Britain. For the Big Draw launch we’ll be looking at these forms and inviting visitors – especially adults, but open to all – to use a range of source materials to help construct a three-dimensional model reflecting molecular structures.
There are some wonderful images that derive from those early X-ray experiments in crystallography and spectroscopy prompting wonder and philosophical speculation – they are great images in themselves. Our X-Ray Line event is deliberately intended to appeal to adults – why should kids have all the fun! – Chris Parkin, Education Officer at the Museum
There’s drawing too, of course. Shadow drawings will be created through a light projection and screen, suggesting an analogue to the experimental process of interrogating structure with light, or indeed X-rays. And the Museum’s camera obscuras will be set up outside the Bodleian’s Weston Library, pointing at some of Oxford’s famous architecture, so visitors can experience the magic of drawing with this simple yet powerful optical tool.
We have some collaborators coming along as well. Two artists from Oxford Brookes University’s MA course in Social Sculpture will be presenting related themes from their own work.
Tom Cox’s ‘Temporal Becoming’ is a piece which invites participants to experience the mysteries of the cloud chamber and the patterns induced in it by tiny charged particles. Annie Wright is interested in elemental composition and hidden patterns in materials and will be demonstrating the intriguing phenomenon of Chladni patterns.
So head to the Museum on Saturday 19 September, investigate the invisible and hopefully become inspired to create some drawing and sculpture of your own.